These days, Valanga visits schools and performs at festivals all over Australia. His warmth and humour make him a popular entertainer and he is an incredibly talented musician who has performed with many other Australian artists, including choir-director and musician, Andrea Khoza. In 2003, Valanga collaborated with Sally Rippin to produce his first picture book Gezani and the Tricky Baboon, which is about to be re-released by Ford Street Publishing. Valanga and Sally will perform their musical adaptation of the book at Playfest to celebrate the launch of Story Peddlers. Hope to see you there!
Monday, October 13, 2014
African Tales
These days, Valanga visits schools and performs at festivals all over Australia. His warmth and humour make him a popular entertainer and he is an incredibly talented musician who has performed with many other Australian artists, including choir-director and musician, Andrea Khoza. In 2003, Valanga collaborated with Sally Rippin to produce his first picture book Gezani and the Tricky Baboon, which is about to be re-released by Ford Street Publishing. Valanga and Sally will perform their musical adaptation of the book at Playfest to celebrate the launch of Story Peddlers. Hope to see you there!
Monday, October 6, 2014
Kamishibai Storytellers
Story Peddlers has been doing some research into the history of roving storytellers throughout the world. One of our favourites is the roaming Kamishibai performer from Japan. This is taken from Wikipedia:
"Kamishibai (紙芝居), literally "paper drama", is a form of storytelling that originated in Japanese Buddhist temples in the 12th century, where monks used emakimono (picture scrolls) to convey stories with moral lessons to a mostly illiterate audience.
Kamishibai endured as a storytelling method for centuries, but is perhaps best known for its revival in the 1920s through the 1950s. The gaito kamishibaiya, or kamishibai storyteller, rode from village to village on a bicycle equipped with a small stage. On arrival, the storyteller used two wooden clappers, called hyoshigi, to announce his arrival. Children who bought candy from the storyteller got the best seats in front of the stage. Once an audience assembled, the storyteller told several stories using a set of illustrated boards, inserted into the stage and withdrawn one by one as the story was told. The stories were often serials and new episodes were told on each visit to the village.
The revival of kamishibai can be tied to the global depression of the late 1920s when it offered a means by which an unemployed man could earn a small income. The tradition was largely supplanted by the advent of television in the late 1950s but has recently enjoyed a revival in Japanese libraries and elementary schools."
There are a few Kamishibai storytellers in Melbourne we know of, including award-winning children's author Lee Fox, who has made her own beautiful Kamishibai box, and storyteller extraordinaire, Bernard Caleo, who has even conducted Kamishibai workshops for the fabulous 100 Story Building. We feel very excited to be creating something new inspired by these wonderful contemporary storytellers as well as traditional storytellers of old.
Have a look at this lovely clip of a Japanese Kamishibai storyteller in the 1950s.
"Kamishibai (紙芝居), literally "paper drama", is a form of storytelling that originated in Japanese Buddhist temples in the 12th century, where monks used emakimono (picture scrolls) to convey stories with moral lessons to a mostly illiterate audience.
Kamishibai endured as a storytelling method for centuries, but is perhaps best known for its revival in the 1920s through the 1950s. The gaito kamishibaiya, or kamishibai storyteller, rode from village to village on a bicycle equipped with a small stage. On arrival, the storyteller used two wooden clappers, called hyoshigi, to announce his arrival. Children who bought candy from the storyteller got the best seats in front of the stage. Once an audience assembled, the storyteller told several stories using a set of illustrated boards, inserted into the stage and withdrawn one by one as the story was told. The stories were often serials and new episodes were told on each visit to the village.
The revival of kamishibai can be tied to the global depression of the late 1920s when it offered a means by which an unemployed man could earn a small income. The tradition was largely supplanted by the advent of television in the late 1950s but has recently enjoyed a revival in Japanese libraries and elementary schools."
There are a few Kamishibai storytellers in Melbourne we know of, including award-winning children's author Lee Fox, who has made her own beautiful Kamishibai box, and storyteller extraordinaire, Bernard Caleo, who has even conducted Kamishibai workshops for the fabulous 100 Story Building. We feel very excited to be creating something new inspired by these wonderful contemporary storytellers as well as traditional storytellers of old.
Have a look at this lovely clip of a Japanese Kamishibai storyteller in the 1950s.
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